The Key To Love And Fear


A new commandment I give to you, that you love one another, even as I have loved you, that you also love one another. ~ John 13:34

Love is but a song to sing
Fear’s the way we die
You can make the mountains ring
Or make the angels cry
Though the bird is on the wing
And you may not know why

Make the angels cry, indeed. What in the world is happening to us? To our country? This blog’s intent is not to get political, but to rejoice in the goodness and richness of God’s talent coming from man in the form of music. But as with so many other things, I don’t hear this kind of music coming out today.

Come on people now
Smile on your brother
Everybody get together
Try to love one another
Right now

I recently asked my daughter (who just graduated from college and is home for the summer) to sit down with me to watch the Tom Hanks produced mini-series, The Sixties, on Netflix.  As someone who lived through it as a boy, I wanted to share with her my own first-hand experiences and memories of those turbulent years. I wanted her to see how things radically changed during that decade and to gain a greater understanding and perspective on our society.

Some may come and some may go
We shall surely pass
When the one that left us here
Returns for us at last
We are but a moment’s sunlight
Fading in the grass

I explained to her that there was a culture and way life in America post WWI and II that lasted for several decades. The country prospered, the middle class grew and there was a general feeling of harmony among us. But there were real issues and problems that rippled just under the surface. Wrongs that needed righting; changes that long needed to come. The peace and harmony on the surface was just a mask for the ugliness of man beneath. And the 60’s was a dividing line. It’s when it all broke loose and the change, as Sam Cooke sang, was finally gonna come. And along with those changes, some beautiful people would come and some would definitely go. Forever.

Come on people now
Smile on your brother
Everybody get together
Try to love one another
Right now


And the artists and songs of the time reflected those changes. Artists like Neil Young, Jackie DeShannon, Joni Mitchell, Joan Baez, Bob Dylan…the list is endless, they all used the power of the music in their hearts to make people see what was right in front of their faces, all along. Good and bad, right and wrong. Yes, there was life in America before the 60’s and there was life after them, but our hearts and minds had been touched and changed forever.

Come on people now
Smile on your brother
Everybody get together
Try to love one another
Right now

And when I look at all of the events going on today, not only in our country, but around the world, I can’t help but think of the 60’s, some fifty years gone now, that perhaps we are living in similar times. Once again, we are faced with the harsh realities of where our society is and where we need to go.  Great changes still need to be made. I only wish there were artists out there, in great numbers, as there were back then, to speak loudly and strongly with an appeal to our country’s moral conscience.

If you hear the song I sing
You will understand (listen!)
You hold the key to love and fear
All in your trembling hand
Just one key unlocks them both
It’s there at your command

The Youngbloods, fronted by the gifted folk singer, Jesse Colin Young, were nowhere near as famous as some of the artists leading us down the road to social change back then, but this song has always been one of my favorites from that time. It was their only hit (truly one hit wonders), but it took a while to catch on. Originally released in 1967, it never really got traction on radio.  But two years later, after the National Council of Christians and Jews began using it in as the theme song for their nationally promoted TV and radio ads, the song began to take off, cracking the Top 5 on the charts and eventually selling over a million copies and earning a gold record.


Come on people now
Smile on your brother
Everybody get together
Try to love one another
Right now
Right now

In the wake of the tragedies of the last few days, one can only wonder where we are heading and what the future holds. I wonder, as Rodney King once asked, “Can’t we all just get along?”.  When Jesus was asked what were the greatest of all God’s commandments, he said that we were to love God with all our hearts and to love our neighbors as ourselves. ALL lives matter. Come on people now, please. It’s way past time. Let’s try to love one another.

Right now.

Listen to the Jesse and the Youngbloods beautiful sound and message here:


Before The Final Curtain Fell


Keep thee far from a false matter; and the innocent and righteous slay thou not: for I will not justify the wicked. ~ Exodus 23:7

In the wake of yet another senseless slaughter, motivated by the tyranny of evil man, I tried in vain to think of a song that could capture the despair that overwhelms at times like these.

And these acts are nothing new, whether motivated by bigotry or religious difference, jihad, or any other reason. Oh no, it’s been going on since the beginnings of time; Abel and Cain, Ishmael and Isaac. And it just keeps on going, seemingly increasing in intensity and horror as we move forward.

On Sunday, as the news of the tragedy in Orlando broke, I tried to think of a song that was appropriate and could capture some of the angst and anger, horror and heartbreak, the fear and the loathing, but I couldn’t quite find it.

And then, as fate might have it, this song popped up on one of my Spotify playlists as I sat out in the evening air listening to some of my old faves. Hearing this, something spoke to me and the song began to feel right for this moment in time. Different but similar, and maybe more the tone the song set than the actual lyrics, though both bring forth the emotions mentioned above.

It made me think back to the summer of ’76 and how different my own mores and beliefs had been. And how the poignant sadness of the song touches me so much more now than it did then.

And, yes, Georgie really was a friend of Rod’s; as he noted in a 1995 interview with Mojo magazine, “That was a true story about a gay friend of the Faces. He was especially close to me and Ian McLagen. But whether he was knifed or shot, I can’t really remember which. ” The song was on Rod’s 1976 album, A Night On The Town, which made it to #1 on the U.K. pop charts and #2 here in the U.S..

I could go on for a while, lamenting the loss and feeling the slow burn of anger, and calling out with righteous indignation for retaliation and revenge, but I think this time, in this song, considering and reflecting on Rod’s storytelling is a better solution.

May God help us all.


In these days of changing ways
so called liberated days
a story comes to mind of a friend of mine

Georgie boy was gay I guess
nothin’ more or nothin’ less
the kindest guy I ever knew

His mother’s tears fell in vain
the afternoon George tried to explain
that he needed love like all the rest

Pa said there must be a mistake
how can my son not be straight
after all I’ve said and done for him

Leavin’ home on a Greyhound bus
cast out by the ones he loves
A victim of these gay days it seems

Georgie went to New York town
where he quickly settled down
and soon became the toast of the great white way

Accepted by Manhattan’s elite
in all the places that were chic
No party was complete without George

Along the boulevards he’d cruise
and all the old queens blew a fuse
Everybody loved Georgie boy

The last time I saw George alive
was in the summer of seventy-five
he said he was in love I said I’m pleased

George attended the opening night
of another Broadway hype
but split before the final curtain fell

Deciding to take a short cut home
arm in arm they meant no wrong
A gentle breeze blew down Fifth Avenue

Out of a darkened side street came
a New Jersey gang with just one aim
to roll some innocent passer-by
There ensued a fearful fight
screams rang out in the night
Georgie’s head hit a sidewalk cornerstone

A leather kid, a switchblade knife
He did not intend to take his life
He just pushed his luck a little too far that night

The sight of blood dispersed the gang
A crowd gathered, the police came
An ambulance screamed to a halt on Fifty-third and Third

Georgie’s life ended there
but I ask who really cares
George once said to me and I quote

He said “Never wait or hesitate
Get in kid, before it’s too late
You may never get another chance
‘Cos youth a mask but it don’t last
live it long and live it fast”
Georgie was a friend of mine

Oh Georgie stay, don’t go away
Georgie please stay you take our breath away
Oh Georgie stay, don’t go away
Georgie please stay you take our breath away
Oh Georgie stay, don’t go away
Georgie, Georgie please stay you take our breath away
Oh Georgie stay

Listen to the original here:

Alone In A World So Cold


And John bare record, saying, I saw the Spirit descending from heaven like a dove, and it abode upon him. ~ John 1:32

How can you just leave me standing?
Alone in a world that’s so cold? (So cold)
Maybe I’m just too demanding
Maybe I’m just like my father, too bold
Maybe you’re just like my mother
She’s never satisfied (She’s never satisfied)
Why do we scream at each other
This is what it sounds like
When doves cry

In 1979 I was invited to attend (actually practically begged to attend) a “listening party/ meet-n-greet” for a new Warner Music act called Prince. Apparently, ticket sales for the event were sparse and the reps from WB wanted to fill the house for this guy and his band from the Twin Cities.

The party was held at a small venue in Atlanta called, at that time, The Agora Ballroom, which was a nice place for smaller acts in a fairly intimate setting.  You could probably put 500 people in there, and on this particular night, there were maybe 150 of us in attendance, most of us music industry folk.

I had a bit of advance notice on the band, having just recently received a copy of his self titled LP, which contained the soon-to-be hit single “I Wanna Be Your Lover”.  I thought the album was really good and rated it pretty high during a call from Billboard magazine, asking how it was selling. I even took time to find a copy of his first album; the relatively unknown For You. Nothing special there and no hit singles, but I could hear the promise of better things to come.

Needless to say, I was absolutely blown away by his live show. It was as if Jimi Hendrix had come back to life and had a love child with Sly Stone and James Brown, clothed him  head to toe in paisley splendor and elevator boots. It was rock, it was funk, it was like an adrenaline injection by sound. Everybody in the place left happy, sweaty and in utter amazement at what we had just witnessed, which, looking back on it, was just a preview of what the world would see at halftime for Super Bowl XLI.


Prince never forgot those of us from the industry who showed up for that showcase and reached out in a variety of ways over the coming years to favor us. A couple of years later, his breakthrough album, 1999, came out and that, as they say, was that. His follow up, the soundtrack to the box office smash movie, Purple Rain, cemented his superstar status. A personal high point for me was getting on stage with him at a record store grand opening party and grooving along with his Purpleness and his new band, the New Power Generation. When his prodigy/honey du jour, Apollonia, came to Atlanta to promote her new movie, Black Magic Woman, I’m quite sure it was Prince who pulled the strings and got me a lunch date with her. Just WOW!

And now, as John Lennon once sang, “I heard the news today, oh boy.” In a time when way too many of our rock icons are falling, this one was a shock. At only 57 years old and seemingly on a roll with new artists, sounds and styles, he’s gone, felled by complications from his recent bout with the flu. A old friend of mine from the music biz said it best when she commented on Facebook; “It’s hard to believe we’re talking about Prince in the past tense.”. Yup.

There’s purple tears on earth today and purple rain in Heaven. Sadness rules.

RIP Prince…you will surely be missed.




Standing On The Ground


These things I have spoken to you, that in Me you may have peace. In the world you will have tribulation; but be of good cheer, I have overcome the world. ~ John 16:33

I like the way your sparkling earrings lay,
Against your skin, so brown.
And I wanna sleep with you in the desert tonight
With a billion stars all around.

Well it may be a new year, but some things are nothing new at all. People come and people go, but this old world just keeps on turning.  And something that’s surely not new is the continuing passing of our classic rock heroes. It’s just a sign o’ the times, I guess; most of the rockers of the 60’s and 70’s were born before 1950 and they’re all just getting older.

‘Cause I got a peaceful easy feeling,
And I know you won’t let me down
’cause I’m already standing on the ground.

It doesn’t make it any easier though, does it?  With most of the recently departed (David Bowie, Cory Wells, Mike Porcaro, BB King, Jesse Winchester, Chris Squire, Johnnie Winter and Billy Joe Royal are just a few that come to mind), I was wistfully sad to hear of their passing. I made a Facebook post for each, including a favorite song or memory, then watched it fade like a plume of smoke into the open air.  It didn’t really affect me in my core.

And I found out a long time ago
What a woman can do to your soul.
Oh, but she can’t take you anyway,
You don’t already know how to go.

But Glenn Frey’s death was something different altogether. He was still young and vital. And even more, he was…one of US. For those of you reading who were teens of the 70’s, you’re sure to understand. The Eagles songs were definitely the “soundtrack of our lives”.  Sure, there was Fleetwood Mac and Elton John, Bruce Springsteen and Billy Joel…but they were rock stars, idols, unapproachable. Even if you never met him, if you ever went to an Eagles concert (and everybody did; if not for themselves, for their girlfriend), you felt like you knew him. He was connected to us.


And I got a peaceful easy feeling,
And I know you won’t let me down
’cause I’m already standing on the ground.

We all know that music is one of those things that can transport us – emotionally – like a bullet, back to our past, reconnecting us, like it was yesterday to important times and events in our lives.  And for me, there was never another band that had more songs that earmarked the highway mileposts of my life, like the Eagles.

I get this feeling I may know you as a lover and a friend.
But this voice keeps whispering in my other ear,
Tells me I may never see you again.

And let’s face it, the Eagles were Glenn’s band. Don Henley was a force, for sure, as was Joe Walsh. But even Henley would say Glenn was the driver for all that the Eagles came to be.  The rest of the guys, from Randy Meisner and Bernie Leadon to Don “Fingers” Felder to Timothy B. Schmidt…they were all just following his lead.


‘Cause I get a peaceful easy feeling
And I know you won’t let me down
’cause I’m already standing…
I’m already standing…
Yes, I’m already standing on the ground

This post won’t list any of their stats or accomplishments, their platinum albums or their top hits. No “interesting tidbits” here. This one is just a simple tribute to Glenn and a big thank you to the man whose songs meant so much to me growing up.

Thanks for the memories, Glenn. You’ve given me a peaceful, easy feeling all my life.

P.S. If you haven’t seen the Showtime documentary History Of The Eagles: Part 1&2, you are surely missing out.

This song, in particular, has special meaning for me. I won’t name any names, but if any of my old pals from Terry Parker High School in Jacksonville, Florida happen to stumble upon this post, I’m sure you’ll know what I mean. Here’s Glenn and the boys, in their prime, in 1973:


Hang A Shining Star


When they saw the star, they were overjoyed. On coming to the house, they saw the child with his mother Mary, and they bowed down and worshiped him. ~ Matthew 2:10

Have yourself a merry little Christmas
Let your heart be light
From now on, our troubles will be out of sight

Have you ever seen something that made your heart leap with joy? Maybe, it was a loved one returning from a long trip. Perhaps the first time you saw your child. Or maybe, for a returning soldier, the sight of his or her family awaiting in the airport.

Have yourself a merry little Christmas
Make the Yuletide gay
From now on, our troubles will be miles away

And when you see such a sight, your everyday troubles do just seem to fade away, don’t they? Because, at that moment, we are struck with something beyond ourselves. We realize what’s truly important.

Here we are as in olden days
Happy golden days of yore
Faithful friends who are dear to us
Gather near to us once more

Yup, these are the blessings most dear to us; the gatherings of family and friends during the holidays. They take us back; to where we’re from, where we’ve been and to where we really long to be.

Through the years we all will be together
If the fates allow
So hang a shining star upon the highest bough
And have yourself a merry little Christmas now

The real magic and meaning of Christmas happened at night, when a star could lead the way. And so it goes, even to this day. All of us are seekers, searching in vain for something that’s right there in front of us, shining brightly. It’s funny that so many of us only see it at Christmas.

Have yourself a merry little Christmas
Let your heart be light
From now on, our troubles will be out of sight
Have yourself a merry little Christmas
Make the Yuletide gay
From now on, our troubles will be miles away

The original recording of “Have Yourself A Merry Little Christmas” was brought to us by the incomparable Judy Garland in the 1944 musical, Meet Me  In St. Louis. But this version by Chrissy Hynde and the  Pretenders has always been one of my Christmas faves.  It was featured on the very first A Very Special Christmas album in 1987, a series which now has 16 volumes and has been going – and growing – strong for 28 years.


Here we are as in olden days
Happy golden days of yore
Faithful friends who are dear to us
Gather near to us once more

This first issue was dedicated to raise funds for the Special Olympics and shipped over 4.5 million copies in the U.S. alone.  According to the AVSC website the series has netted over $116 million in proceeds to the Special Olympics to date, fostering programs for special athletes in 10 countries around the world.

Through the years we all will be together
If the fates allow
So hang a shining star upon the highest bough
And have yourself a merry little Christmas now

So, while you are decorating your home or tree this year, please remember the real shining Star of it all, the greatest gift ever given to mankind; our Lord Jesus. And that His greatest blessings to us are the relationships that we have with friends and family. And I hope all will gather near and dear to us again this year, to enjoy the holidays once more.

Merry Christmas, everyone!

Something To Hide?


Therefore, having put away falsehood, let each of you speak the truth with his neighbor, for we are members one of another. ~ Ephesians 4:25

You had something to hide
Should have hidden it, shouldn’t you
Now you’re not satisfied
With what you’re being put through
It’s just time to pay the price
For not listening to advice
And deciding in your youth
On the policy of truth

Now there’s the dilemma: not whether or not to tell one another the truth, but when and how much of it? I mean, I don’t think we set out to be bald faced liars; I think most of us start with good intentions and want to be honest if not completely open (wait is that really being honest?) in our relationships. But, for a variety of reasons,  most of us fall short of being completely truthful in all things. And therein the difficulty lies (pun intended).

Things could be so different now
It used to be so civilized
You will always wonder how
It could have been if you’d only lied
It’s too late to change events
It’s time to face the consequence
For delivering the proof
In the policy of truth

Wait, let me un-ring that bell. Maybe in our desire to be truthful we actually handicap ourselves and our relationships. Could that be true? Sometimes there are things better left unsaid? Or, is the foundation built on half-truths and kept secrets just as shaky as one built on outright lies?

Whatever the case, I know we all feel a strong need to be tell the truth, hard as it sometimes may be to do so. And yes, God forgives us, but that doesn’t remove the consequences we face in this world.

Never again is what you swore
The time before
Never again is what you swore
The time before

Live and learn is what they say…and we swear we’ll do better next time. But we never do. As Elvis (Costello) sang: “History repeats the old conceits, the glib replies, the same defeats.” And the wheel rolls round and round forever.

If you’re looking for answers here, I don’t have them. I just know we have to try to do better. I know the truth is what God wants from us, but my experience says that there are times when things are better left unsaid. Times where damage is caused by words spoken that you can’t erase. I think there are times we must bear our own burdens and keep it to ourselves…with God’s shoulder to lean on, of course.

Now you’re standing there tongue tied
You’d better learn your lesson well
Hide what you have to hide
And tell what you have to tell
You’ll see your problems multiplied
If you continually decide
To faithfully pursue
The policy of truth


Depeche Mode was a beautifully crafted group from the New Wave and second Brit Invasion of electronic pop in the early 80’s. They have always been one of my favorites from this genre and have certainly stood the test of time, forming in 1980 and still going strong today. They have had over fifty singles charted in the U.K. and have sold more than 100 million records worldwide. “Policy Of Truth” was not one of their biggest hits, but to me was the “sleeper” hit from their 1990 album, Violator, a mainstream smash that catapulted them to international success. “Policy Of Truth” only made it up to #15 on the Billboard Hot 100, but went all the way to #1 on the Modern Rock Tracks chart.

A few interesting tidbits about DP include:

  • The band’s original name was “Composition Of Sound”. Before they really got started they renamed themselves “Depeche Mode” after a French fashion magazine (depeche mode means fast fashion), because it sounded cooler.
  • They never had a drummer and didn’t try to hide it, often placing their drum machine on a riser right in the middle of the stage, in concert.
  • At age 17, Dave Gahan earned his place as lead singer by auditioning with a strong rendition of his rock idol David Bowie’s “Heroes”, which also happened to be a favorite of founding members, Vince Clarke and Martin Gore.
  • Dave later moved to New York and found his kids attending the same school as Bowie’s; they bumped into each other several times attending school plays and events.

Truth and deceit in relationships continued to be a theme in DM’s songs, including hits like “Personal Jesus”, “Long Time Lie” and “Secret To The End”, but “Policy Of Truth” always rings most true to me.

Check out the original here:




How Does Your Light Shine?


In the same way, let your light shine before others, that they may see your good deeds and glorify your Father in heaven. ~ Matthew 5:16

Wash away my troubles, wash away my pain
With the rain in Shambala
Wash away my sorrow, wash away my shame
With the rain in Shambala

With the recent passing of lead singer, Cory Wells, I felt compelled to include a post featuring one of my favorite bands of the 70’s, Three Dog Night. I hate to admit it, but having spent a great portion of my life in and around the music biz, I had a habit of using TDN as a benchmark, of sorts.  When comparing band success, I would often times use TDN as the “dividing line” between good and great, over and under. Thus, the measure of a rock band’s success was above or below that of TDN, the perfect middle line. The question became: Did a band have more – or less – hits than TDN? Maybe it wasn’t fair treatment, but I never had anyone dispute me on the validity of the idea.

Ah, ooh, yeah
Yeah, yeah, yeah, yeah, yeah
Ah, ooh, yeah
Yeah, yeah, yeah, yeah, yeah

As the Righteous Brothers, Bill Medley and Bobby Hatfield, once sang, “If there’s a rock n roll Heaven, you know they’ve got a hell of a band.” That song was released back in 1974, just as TDN’s run was coming to a close.  Back then, the song featured artists that had died far too young like Janis and Jimi, Otis Redding and Jim Croce.  But these days it’s all to common. Forty years have gone by since then and it seems like another rocker passes every other day now. A sign of the times, for sure.

Everyone is helpful, everyone is kind
On the road to Shambala
Everyone is lucky, everyone is so kind
On the road to Shambala

TDN was originally formed in 1967 when Cory, Danny Hutton and Chuck Negron, three very talented singers decided to get together as a cover band playing the local L.A. club scene. The band soon filled out with the addition of Jimmy Greenspoon on keyboards, Joe Schermie on bass, Mike Allsup on guitar and Floyd Sneed on drums, and the group was off and running, signing a contact with ABC-Dunhill records. They focused mainly on recording interesting material from a new crop of – then unknown – artists, like Elton John, Randy Newman, Laura Nyro and Harry Nilsson, among others. For five straight years between 1969-74, the band released a new album – and a new crop of hits – every single year. They scored a total of 21 Billboard Top 40 hits during that period.

How does your light shine
In the halls of Shambala
How does your light shine
In the halls of Shambala

One of those hits, appearing on the album Cyan in 1973, was the song “Shambala” which rose to #3 on the Billboard Hot 100 Singles chart. It had a rolling, chanting gospel feel and was somewhat religiously, if not just mystically, inspired by the mythical Hindu/Buddhist kingdom of Shambala, which was said to be located somewhere in the Himalaya’s. TDN’s – and original songwriter Daniel Moore’s – vision of Shambala appeared to be based more on a state of mind reflective of walking a certain spiritual path, than as a physical kingdom or place.

I can tell my sister by the flowers in her eyes
On the road to Shambala
I can tell my brother by the flowers in his eyes
On the road to Shambala

Here’s a few interesting notes about TDN and “Shambala”:

  • Everyone has probably heard the story of the band’s naming, but just in case, I’ll repeat it here. Danny Hutton’s girlfriend had been reading an article about early native Australians and learned that, on cold nights, they would find a hole to sleep in and pull in a dingo or two to keep them warm. A really, really cold night was thus called a “three dog night”.
  • Only one week prior to TDN’s release of “Shambala”, a version by country singer B.W. Stevenson was released. His version was shorter, with a bit more country twang and it did pretty well, but was greatly overshadowed by TDN’s version. Stevenson later “stole” some of the melody from “Shambala” for his smash hit “My Maria”. Check them both out and you’ll see just how much they sound alike.
  • “Shambala” has been so popular throughout the years that it has been used in 15 movies, 2 TV shows and – most recently – in a 2014 Bank of America commercial.

How does your light shine
In the halls of Shambala
How does your light shine
In the halls of Shambala
Tell me how does your light shine
In the halls of Shambala
(Tell me how) How does your light shine
In the halls of Shambala

So, let’s all wish Cory a sweet rest and remember him fondly via one of TDN’s greatest hits. Listen to a great live version here:

Sources for this post include:


Of That I’m Sure

The old city of Jerusalem 05a

But you remain the same, and your years will never end. ~ Psalm 102:27

Nothing lasts forever
Of that I’m sure
Now you’ve made an offer
I’ll take some more

Nothing lasts forever. Boy ain’t that the truth?

At least that’s the way it seems for most things on this earth. But some things do last longer than others. And that’s comforting.

Young loving may be
Oh so mean
Will I still survive
The same old scene

Familiarity breeds contempt.  Things become routine and we get bored. Sometimes we need change, just for the sake of change. This happens with most things in our lives: cars, jobs, homes and, sadly, with our relationships.  Even our relationship with God.

In our lighter moments
precious few
It’s all that heavy weather
We’re going through

But there are times when we need to dig in deep, to reach out and “hold on loosely (but don’t let go)” as Johnny Van Zandt once sang. I read something recently that sticks in my mind: “A perfect relationship is two imperfect people who refuse to give up on one another”.

When I turn the corner
I can’t believe
It’s still the same old movie
That’s haunting me

Bryan Ferry turned a corner of his own in early 1970, forming Roxy Music (a wordplay on rock music) and holding on to his dreams of rock-n-roll stardom. The band had moderate early success in the early 70’s pursuing the “glam” or “glitter rock” stylings of other artists like David Bowie, T-Rex, Gary Glitter, Alice Cooper and Lou Reed. Songs like “Virginia Plain”, “Pyjamarama” and “Street Life” capitalized on the synthesized keyboard driven melodies that were topping the charts for those other artists.

Young loving may be
Oh so mean
Trying to revive
The same old scene


Unlike Bowie, Cooper and T-Rex, however, Roxy Music did not receive much attention here in the U.S. until 1974’s “Love Is The Drug” hit the airwaves. It was perfect for the burgeoning disco sound that was beginning to dominate the clubs. I remember clearly the first time I heard the song; it had that irresistible thumping groove replete with the timbale roll, accompanied by Bryan’s signature seductive – yet elegant – croon.

And just as suddenly as they had burst onto the scene – poof – they disappeared. It wasn’t until 1979’s “Dance Away” that they made any real impact  again, ironically just as the disco scene was dying out. It seemed to me that “Love Is The Drug” and “Dance Away” made perfect bookends for the whole disco era.

Young loving may be
So extreme
Maybe we should try
The same old scene

And then it came; in 1980 the group released their best album to date, Flesh And Blood. It produced four solid hits including  “Over You”, “Oh Yeah”, “Same Old Scene” and the fabulously quirky cover of Wilson Pickett’s “In The Midnight Hour”.

“Same Old Scene” really jumped out at me. I had gone to the Atlanta premiere for the movie Times Square, and it was featured in the soundtrack (which is a great album in it’s own right for those who loved the late 70’s/early 80’s punk/alternative sound).

Flesh and Blood was followed by – in my humble opinion – an even bigger masterpiece, 1982’s Avalon.

A few interesting tidbits about the band include:

  • Before forming Roxy Music, Bryan Ferry was teaching ceramics at a girls school but was fired for holding impromptu recording sessions in class.
  • Ferry once auditioned to take over as lead vocalist for King Crimson when Greg Lake departed to form Emerson, Lake & Palmer.
  • The first five Roxy Music album covers all catered to Bryan Ferry’s obsession with women and fashion. The covers included fashion models  Amanda Lear, Jerry Hall, Marilyn Cole (each of whom had romantic relationships with Ferry),  Kari-Ann Muller (who dated Mick Jagger’s brother Chris) and two German fans/models, Constanze Karoli and Eveline Grunwald (on the cover of Country Life, which was banned in many countries).
  • The Avalon album cover features model Lucy Helmore, who married Bryan in 1982. They divorced in 2003.

I guess with all of Bryan’s womanizing, it’s obvious that he was certainly not one who cared for the “same old scene”, but his song lamenting it sure sounds as fresh as it did back in 1980. Check out the original here:

And check out “In The Midnight Hour” live on MTV’s 1980 New Years Eve Special:

Roots That Spread So Deep


The LORD is my strength and my song, and he has become my salvation…  ~ Exodus 15:2 

Love can make you weep
Can make you run for cover
Roots that spread so deep
Bring life to frozen ground

Stronger as we get older? I’m not so sure. We surely don’t get stronger in the physical sense. But you hear a lot of things; sayings like “that which doesn’t kill you, only makes you stronger”. I’m not sure I believe it. I’m thinking it’s more that we just grow our roots a little deeper, a little further down into terra firma. We’re really only as strong as the earthly support around us. Or are we?

Something so strong
Could carry us away
Something so strong
Could carry us today

I find myself leaning a little more and more each day on inner strength. We all will have trials in this world and the Bible guarantees it. But I think you can learn to better deal with these trials by calling on a different type of strength; that which springs not from this world, but from our Heavenly Father. As  Bill Withers once sang: “Lean on me, when you’re not strong”.

Turning in my sleep
Love can leave you cold
A taste of jealousy
Is like a lust for gold

Crowded House seemed, for many here in the U.S., to have burst upon the scene almost overnight with their smash hit, “Don’t Dream It’s Over” which reached #2 on the Billboard Hot 100 in 1987. The band’s front men, brothers Neil and Tim Finn, however, had already reached international success with their previous band from  New Zealand – Split Enz – and their 1980 hit single “I Got You”.


Something so strong
Could carry us away
Something so strong
Could carry us today

By 1984, Split Enz had begun to run it’s course, and Neil, along with drummer, Paul Hester, decided to form a new band during the Split Enz farewell tour, aptly named Enz With A Bang.  The new band, originally called The Mullanes (Neil’s middle name), got off to a great start, easily securing a new deal with Capitol Records on the strength of Split Enz’s success and huge fan base in Australia and New Zealand. Brother Tim was soon to follow along, as did former Split Enz bassist, Nick Seymour.

I’ve been feeling so much older
Frame me and hang me on the wall
I’ve seen you fall into the same trap
This thing is happening to us all

Here’s a few interesting tidbits about the band:

  • Capitol Records didn’t like the original band name, so Neil changed it to Crowded House in reference to the tiny house the band shared in L.A. early on.
  • Bassist Nick Seymour did the cover art for all the band’s albums.
  • Under intense pressure from Capitol to quickly record a second album to capitalize on their debut; Neil’s working title for the second album was  Mediocre Follow Up.
  • Neil took everyone by surprise in 1996, when at the press conference for the release of the band’s greatest hits collection, Recurring Dream, he announced that Crowded House was disbanding.

Something so strong
Could carry us away
Something so strong
Could carry us today

So, while all of us will suffer with burdens that sometimes seem to great to bear, take heart. Just lean on that inner strength that comes from above and don’t let your troubles carry you away.

Listen to the boys from “down under” here:

And lest we forget the Split Enz hit, check it out here:

Sources  for this post include:

Taking What They’re Giving


“And whatever you do, whether in word or deed, do it all in the name of the Lord Jesus, giving thanks to God the Father through him.” ~ Colossians 3:17

Some days won’t ever end and some days pass on by,
I’ll be working here forever, at least until I die.
Damned if you do, damned if you don’t
I’m supposed to get a raise next week, you know damn well I won’t.

I know, I know…Labor Day was last weekend, but hey, better late than never! And speaking of working – I’ve had to take a bit of a break from my UTRS writings this summer and focus in on some deadline work that had to be done in my “real” job. But I’m happy to be back and posting here, as this is truly a “labor of love” for me.

Workin’ for a livin’ (workin’)
Workin’ for a livin’ (workin’)
Workin’ for a livin’, livin’ and workin’
I’m taking what they giving ’cause I’m working for a livin’.

It’s great that I’ve been able to combine a couple of my favorite pursuits – music and writing, along with being a follower of Christ – to create this little hobby that gives me such great joy. But the truth is, we ALL need to be joyous in our everyday working lives.  And the Bible gives us this key to keep us on the right path: “Whatever you do, do all for the glory of God.”  That’s right, your hard, honest work pleases God, especially when we dedicate our efforts to Him.

Hey I’m not complaining ’cause I really need the work
Hitting up my buddy’s got me feeling like a jerk
Hundred dollar car note, two hundred rent.
I get a check on Friday, but it’s already spent.

They called James Brown the “hardest working man in show biz”,  but Huey Lewis’ (born Hugh Anthony Cregg III) path to success was surely a hard and rocky road.  Ringo Starr once sang “If you want to sing the blues, then you’ve got pay your dues”.  And paying your dues is exactly what Huey had to do.

Workin’ for a livin’ (workin’)
Workin’ for a livin’ (workin’)
Workin’ for a livin’, livin’ and workin’
I’m taking what they giving ’cause I’m working for a livin’.


Huey’s first real break in the biz came in 1971 when he joined a local San Francisco Bay area band called Clover. Yup – the Nick Lowe/Elvis Costello backup band! Upon joining Clover, he changed his stage name to Hughie Louis and, after being discovered by Nick Lowe, the band was soon invited to tour Great Britain. The band adopted the early pub rock-folk sound that was just being replaced by punk rock. Huey was primarily a harmonica player and occasional vocalist during the tour.

Bus boy, bartender, ladies of the night
Grease monkey, ex-junky, winner of the fight
Walking on the streets, its really all the same
Selling souls, rock n’ roll, any other day

Clover’s first two records bombed, the punk rock scene took over and that was the end of the road for the band, at that time. Huey returned to San Francisco, re-enrolled in college to pursue an engineering degree and started playing around at local bars to make a little side money.  It was while playing at a Corte Madera bar, Uncle Charlie’s, that he met the guys that ultimately became The News. They recorded a little song (written by the one and only Robert John “Mutt” Lange)  called “Do You Believe In Love” and the rest is history. “Do You Believe In Love” reached #7 on the Billboard Hot 100 list in 1982.

Workin’ for a livin’ (workin’)
Workin’ for a livin’ (workin’)
Workin’ for a livin’, livin’ and workin’
I’m taking what they giving ’cause I’m working for a livin’

A few interesting notes about HL&TN:

  • Huey learned to play harmonica while hitchhiking across the country as a way to pass the time while waiting for rides.
  • The band’s original name was Huey Lewis and The American Express but their manager made them change it so they wouldn’t get sued.
  • Huey played harmonica on Thin Lizzy’s 1978 album Live And Dangerous; he’s credited under the name “Huey Harp”.
  • He produced Bruce Hornsby’s smash hit album, The Way It Is, in 1986.

So, I’m hoping everyone enjoyed their Labor Day holiday and got a little rest and relaxation in before heading back in to work this week. And while you’re working, here’s a little hard workin’ music to help you through the day.

Check out Huey and the boys from the Bay here:

Sources for this post included: