A Problem You’ll Understand

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leaningbuilding

Two are better than one, because they have a good return for their work:  If one falls down, his friend can help him up. But pity the man who falls and has no one to help him up! – Ecclesiastes 4:9-10

Sometimes in our lives
We all have pain, we all have sorrow
But if we are wise
We know that there’s always tomorrow

Yes, we all have our problems. But the good news of Jesus is that there will always be at least one “someone to lean on”. And though true friends can be hard to find, sometimes help can come from people and places you would not normally expect.

Lean on me when you’re not strong
And I’ll be your friend, I’ll help you carry on
For it won’t be long
‘Til I’m gonna need somebody to lean on

John Lennon once said Instant Karma was gonna get you, but it can just as easily help you. It’s a two-way street. Maybe I’ve lived a charmed life, but I honestly can’t recall a single time in my life when I really needed help and couldn’t find it.

The “snow-jam” last winter in Atlanta was a testimony to folks reaching out to help others in any way they could. I-75 was a literal parking lot, with cars stranded and stuck in all lanes, rapidly running out of gas (and heat) in sub-zero temps for hours and hours. I was at home watching the news and saw where people that lived nearby were hiking out from their homes, sometimes walking miles, bringing blankets, water and food to those stuck in their cars.

Please, swallow your pride
If I have things you need to borrow
For no one can fill those of your needs
That you won’t let show

But it doesn’t take a natural disaster to bring the best out in our fellow man. I’ve found that if you’ll just be humble enough to ask, more times than not you’ll find people willing and even eager to lend a helping hand. And that can be tough for some of us – especially men – to do.

In this month of Thanksgiving, we all should take time out to be thankful for those we lean on for support. The greatest blessings God has bestowed on us are the human relationships in our lives.

You just call on me, brother, when you need a hand
We all need somebody to lean on
I just might have a problem that you’ll understand
We all need somebody to lean on

Bill Withers knows firsthand what it is like to be in need. Bill was born in the rural coal mining town of Slab Fork, West Virginia, the youngest of 13 children. Bill’s father died when he was only 13 years old and at age 18, he enlisted in the Navy. It was during his nine year Navy service that Bill truly began to develop his singing and songwriting style.

After leaving the Navy, Bill took a job on the assembly line at Douglas Aircraft and was so unsure of his future in music that he refused to quit his job even as his first hit single “Ain’t No Sunshine” was hitting the charts.

If there is a load
You have to bear that you can’t carry
I’m right up the road, I’ll share your load
If you just call me

“Lean On Me” was Bill’s biggest hit, going to #1 on both the Billboard Hot 100 and the Soul Singles charts in 1972. It was the first single off his breakthrough LP Still Bill and was ranked #205 on Rolling Stone’s 500 Greatest Songs Of All Time. It is one of only nine songs in rock history to reach #1 on the charts for two different artists; Club Nouveau also hit the top spot with their funky hip hop dance version in 1987.

Bill’s inspiration for “Lean On Me” came after he had moved to Los Angeles to further pursue his music career. He was living in a seedy, West LA apartment and thinking of how different it was and how the different the people were, too.

In a 2004 interview with Carl Wiser of Songfacts, Bill said, “(I know) it sounds idealized if you are from an environment where it’s (helping others out) not ordinarily practical to do that. But I’m from an environment where it was practical to do that.”

As an example, Bill recalled an incident from earlier days: “When I was in the Navy, I must have been about 18, 19 years old, and I was stationed in Pensacola, Florida. It was some holiday, I had this car that I was able to buy and I was driving from Pensacola, Florida up to West Virginia. As is the case with young people with cheap cars, the tires weren’t that great, so one of my tire blew out on this rural Alabama road. This guy comes walking over the hill that looked like he was right out of the movie Deliverance. Did you see that movie?”

“He says to me, ‘Oh, you had a blowout.’ Well, I didn’t have a spare tire. This guy goes walking back across the hill, and I’m not too comfortable here because I know where I am. He comes back walking with a tire, and he actually helps me put the tire on the car. My circumstance, this was not an idealized concept, this was real to me.”

“Still Bill” is still around, doing some writing and producing; mostly working with new artists to help them get a start. So, let’s all take a few minutes while we’re giving thanks this week to reflect on the simple human kindnesses that abound out there. And know that there’s always somebody out there that needs somebody to lean on.

Listen to the sweet sounds of “Still Bill” here:

Club Nouveau cover here:

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Thank you for your response. ✨

My sources for this post included:

Wikipedia: http://en.wikipedia.org/wiki/Lean_on_Me_%28song%29

Songfacts: http://www.songfacts.com/blog/interviews/bill_withers/

Singing To My Soul

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goldbars

By your wisdom and your understanding you have made wealth for yourself, and have gathered gold and silver into your treasuries. – Ezekiel 28:4

When the lights go down in the California town
People are in for the evening
I jump into my car and I throw in my guitar
My heart beatin’ time with my breathin’
Drivin’ over Kanan, singin’ to my soul
There’s people out there turnin’ music into gold

In 1978, I was an up and coming college student struggling to get by on my part time gig at a local steak house and trying to figure out what I was ultimately going to do with myself. I had given up on my fantasy of becoming a part of the Turner Broadcasting team working Atlanta Braves games (via an Electrical Engineering degree – not for me, thank you) and had settled into a more manageable course of study in Mass Communications and Journalism at Georgia State University in downtown Atlanta.

Sports and music were my two favorite hobbies, but I was not good enough at either of them (drums and baseball) to even remotely imagine making money in those endeavors, so I was slowly coming to the realization that I needed to figure out a career path.

Well my buddy Jim Bass he’s a-workin’ pumpin gas
And he makes two fifty for an hour
He’s got rythm in his hands as he’s tappin’ on the cans
Sings rock and roll in the shower
Drivin’ over Kanan, singin’ to my soul
There’s people out there turnin’ music into gold

I was making exactly $2.50 an hour at that steak house and with winter break approaching, I saw an opportunity to pump up my barely visible checking account balance. I say “saw” literally, because as I was sitting at a red light one day, I glanced over at the shopping center on my left to see a new record store that had recently opened. Hey, I thought, maybe I could get an extra part time job over the break…and what better place for a music junkie to work than a record store?

I pulled up, parked in front and approached the guy who owned the place. His name was Al. I needed a job and he needed some extra help checking in merchandise. Sixteen years – and hundreds of new stores – later I was still there, trying to help Big Al turn music into gold.

Ah, the California girls are the greatest in the world
Each one’s a song in the making
Singin’ rock to me I can hear the melody
The story is there for the takin’
Drivin’ over Kanan, singin’ to my soul
There’s people out there turnin’ music into gold

John Stewart was a legendary singer-songwriter long before he teamed up with Stevie Nicks and Lindsey Buckingham to turn a bit of music into “Gold”, his come-from-out-of-nowhere top 5 single in 1979. John started his career in folk music with The Cumberland Three and then became a member of the Kingston Trio, replacing founding member, Dave Guard, in 1961. The Kingston Trio continued to perform and record throughout the early 60″s, but as the British Invasion took hold, the folk music scene began to decline and John’s writing shifted to a pop tilt.  His biggest claim to fame before hitting with “Gold” was composing The Monkee’s smash hit “Daydream Believer”.

John’s golden decision to team up with Buckingham and Nicks was obviously a terrific move as his album Bombs Away Dream Babies spawned three Top 40 hits including “Gold”, “Midnight Wind” and “Lost Her In The Sun”.

When the lights go down in the California town
People are in for the evening
I jump into my car and I throw in my guitar
My heart beatin’ time with my breathin’
Drivin’ over Kanan, singin’ to my soul
There’s people out there turnin’ music into gold

Yes, sometimes life and success are more about good timing than anything else. It was surely good timing that put me in front of the record store that day and launched my career path. The music industry itself went from being a lucrative business for label execs to becoming the ruler of pop culture in the 70’s and 80’s with the product rolling from vinyl to cassette to CD’s, and everybody demanding their MTV on cable.

Record sales benchmarks went from being measured in terms of gold records to platinum to multi platinum. For those artists entering the market during these boom times, the sky truly was the limit. For a time during the second British Invasion of the 80’s, it seemed that all you needed was a guitar and the right hair (see Flock Of Seagulls) to turn music into literal gold.

John’s timing was perfect too, coming into folk, pop, rock and on into Americana at just the right time with just the right songs.

So, turn down the lights and give this little nugget a listen. And get a glimpse of the way the record biz – back in the good old days – could turn a blob of black wax into pure gold.

Listen to the original here:

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Thank you for your response. ✨

My sources for this post include:

Wikipedia: http://en.wikipedia.org/wiki/John_Stewart_%28musician%29

 

The Third Of June

/ larryallenmusic / 2 Comments

tallahatchiebridgepic

You have seen many things, but you do not observe them; Your ears are open, but none hears. – Isaiah 42:20

It was the third of June, another sleepy, dusty Delta day
I was out choppin’ cotton, and my brother was balin’ hay
And at dinner time we stopped and walked back to the house to eat
Mama hollered out the back door, y’all remember to wipe your feet!
Then she said, “I got some news this mornin’ from Choctaw Ridge
Today, Billy Joe MacAllister jumped off the Tallahatchie Bridge”

Is it just me, or does the world feel a good bit colder these days? And I don’t mean the time of year. It seems to me that, even though we’re all more “connected” than ever, we can all, at times, feel more alone and isolated than ever.

It happens all the time, not just in the communities we live in, but in our very own homes. At least it does in mine. There are many times when I’m sitting on the couch, watching TV and surfing online with my iPad, and I’ll look over to see that my son and wife are both busily flipping through screens on their phones. And then “ping”, I’ll get a message from my wife on Facebook. Can’t we just talk to each other any more?

And papa said to mama, as he passed around the blackeyed peas
“Well, Billy Joe never had a lick of sense; pass the biscuits, please
There’s five more acres in the lower forty I’ve got to plow”
And mama said it was shame about Billy Joe, anyhow
Seems like nothin’ ever comes to no good up on Choctaw Ridge
And now Billy Joe MacAllister’s jumped off the Tallahatchie Bridge

Isn’t technology grand? And within these social “networks” we all belong to (I still have a bit of trouble with the concept of “social” and “network” being used together in the same phrase) there is perfect love, peace and harmony, right? Not exactly. Sometimes it can be a downright snarky place to hang out. Gives a whole new meaning to “chillin’ out online”, doesn’t it?

And brother said he recollected when he, and Tom, and Billie Joe
Put a frog down my back at the Carroll County picture show
And wasn’t I talkin’ to him after church last Sunday night?
“I’ll have another piece-a apple pie; you know, it don’t seem right
I saw him at the sawmill yesterday on Choctaw Ridge
And now ya tell me Billie Joe’s jumped off the Tallahatchie Bridge”

Yes, the world can be a cold and callous place. In the digital realm, even the death of folks around us can be trivialized, if not outright jeered at, in some of the more cruel cases. But what I think stings the most is simple indifference. You start to wonder how these people can just walk (or scroll) on by. Not just your own troubles and challenges, but those of others, as well. This is especially true for those with larger networks. Mine is pretty small, so I don’t often experience this side of it. But I know a lot of people do. And I’m as guilty of it as anyone.

And mama said to me, “Child, what’s happened to your appetite?
I’ve been cookin’ all morning, and you haven’t touched a single bite
That nice young preacher, Brother Taylor, dropped by today
Said he’d be pleased to have dinner on Sunday, oh, by the way
He said he saw a girl that looked a lot like you up on Choctaw Ridge
And she and Billy Joe was throwing somethin’ off the Tallahatchie Bridge”

Maybe we can’t classify Bobbie Gentry’s “Ode To Billie Joe” as classic rock, but it’s definitely a classic and has always been one of my favorites from 1967. Apparently Rolling Stone magazine thought so too, ranking it at #412 on their 500 Greatest Songs Of All Time list.

Bobbie was one of the first female country artists to write and produce her own material and the southern-goth toned “Ode” was certainly one of her best songs, spending over a month at #1 on Billboard’s Top 100.

A year has come and gone since we heard the news ’bout Billy Joe
Brother married Becky Thompson; they bought a store in Tupelo
There was a virus going round; papa caught it and died last spring
And now mama doesn’t seem to want to do much of anything
And me – I spend a lot of time pickin’ flowers up on Choctaw Ridge
And drop them into the muddy water off the Tallahatchie Bridge

One gets so caught up in the story about poor Billie Joe, that it’s easy to completely pass over the real meaning behind the song; the nonchalant indifference of this rural family during dinner small talk to the suicide death itself. It just gets mixed right in there amongst the peas, the pie and another 40 acres of field to plow.

The most common question on everyone’s mind after hearing the song centered on what the narrator of the song and Billie Joe threw off the bridge, thereby proving Bobbie’s underlying premise.

A few interesting tidbits about the song include:

  • The Tallahatchie bridge collapsed in 1972 , just a few years after the song hit the airwaves. It was later rebuilt.
  • After the song became a hit, Rolling Stone magazine reported that the bridge was only 20 feet high over the water and plenty deep, so there was no way to commit suicide by jumping off. Of course, this drove hundreds to try it for themselves, driving the local cops crazy.
  • Speculation as to what object Billie Joe threw off the bridge included: an engagement ring, a draft card, a bottle of LSD, and an aborted baby.

The song remains as one of my all time faves; I love the simple spare arrangement with Bobbie’s raspy vocal, her guitar and just a few strings stirring in the Mississippi breeze on a hot summer day.

I think Henry David Thoreau sums it up with his quote: “Could a greater miracle take place than for us to look through each other’s eyes for an instant?”

So, can we all just put down our phones for a minute, and try to be just a little less oblivious to the needs of others in and around our lives?

Listen to Bobbie live on the BBC from 1968:

Original studio version here:

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Thank you for your response. ✨

My sources for this post include:

Songfacts: http://www.songfacts.com/detail.php?id=1623

Wikipedia: http://en.wikipedia.org/wiki/Bobbie_Gentry

Wikipedia: http://en.wikipedia.org/wiki/Ode_to_Billie_Joe

A Brand New Story

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manspeakspic

For by your words you will be justified, and by your words you will be condemned. – Matthew 12:37

Smile an everlasting smile
A smile could bring you near to me
Don’t ever let me find you gone
‘Cause that would bring a tear to me

You know the feeling, right? It’s intense. And things like a glance or smile, or even just the smell on the shirt or jacket he/she left at your place can stir your heart mightily. Little things, but they can mean so much.

This world has lost it’s glory
Let’s start a brand new story
Now my love, right now there’ll be
No other time and I can show you
how, my love

You feel like you’re living in a world of your own, just the two of you. Others pass by, darting in and out, occasionally interrupting but only superficially. You pay them no mind.

Talk in everlasting words
And dedicate them all to me
And I will give you all my life
I’m here if you should call to me

And then one day, IT happens. No, not that…it’s those words you just said. Hanging out there in the air. You can almost see them, as if captured in one of those comic strip “speech bubbles”, with the arrow coming out of your mouth. You’re frozen, unable to move or speak further.

Sometimes this can be a good thing, but more than often than not our mouths can get us in a lot of trouble. Sometimes a few carelessly spoken words hurt the ones we love more than anything else we can do. And once spoken, we can never get them back.

The Bible is full of warnings regarding the evils of the tongue and all the havoc it can wreak in our lives. To the point of our own condemnation. In the Book of James, it says that no human can tame the tongue and that it’s filled with evil. It cautions even those most pious, that to live with an unbridled tongue is to make their religion worthless.

It’s amazing how this tongue our Lord has blessed us with, can be such a force for good and happiness, yet can just as easily become a vessel of evil and heartache. Even so, many of us give very little thought to the impact that our words can have on others.

You think that I don’t even mean
A single word I say
It’s only words, and words are all
I have to take your heart away

If the Beach Boys are America’s original “brother” band, then certainly the Bee Gees (the Brothers Gibb) are the U.K.’s (though some might argue they were Australian).

The Bee Gees had two very distinct periods of success: from 1967-1975 (pre-disco) and from 1975-forward (post-disco). Their 1975 single “Jive Talkin'” was definitely the turning point, if you ask me. Even though their success after the release of 1977’s Saturday Night Fever was far greater than their earlier works – SNF alone sold over 15 million albums – I’ve always thought their pre-disco period material was superior. (That being said, I must admit “How Deep Is Your Love” is a favorite of mine and will always hold special meaning for me.)

“Words” was released in 1968 and charted at #15 here in the U.S and at #9 in the U.K. Interestingly, most all of their pre-disco songs featured Robin’s clear vibrato on lead vocals and most of the post-disco songs had Barry’s soul-infused falsetto, but “Words” was the exception. Barry took the lead on “Words” and it was also the first time one of the brothers solo-ed on one of their songs.

“Words” always stood out to me – it had that familiar Bee Gees sound, but was missing the harmony vocals. And with that unique “compressed” piano (sounded like 10 pianos playing at once), it had a spare, lonely, haunting sound that definitely stood out among the other songs swirling Top 40 radio at that time.

Barry actually wrote the song after the brothers had a few too many arguments in the studio, and to point out how hurtful some of the things the brothers had said to one another were. I guess you could say it was kind of an inter-group “make-up” song.

A few interesting notes about the song include:

  • Like a lot of their songs, they wrote it for someone else; in this case Cliff Richards. He never got around to recording it, so they did.
  • Elvis Presley chose to perform it in many of his early 70’s concerts.
  • The song was not on one of their albums; it was written for a movie soundtrack, The Mini Affair.
  • It reached #1 on the charts in Germany, Switzerland, Netherlands and China.

The Bee Gees went on to sell over 220 million records worldwide, making them one of the best selling acts of all time. The Bee Gees were inducted into the Rock and Roll Hall of Fame in 1997 and their citation says “Only Elvis Presley, the Beatles, Michael Jackson, Garth Brooks and Paul McCartney have outsold the Bee Gees.”

When my son, Trey, was about 13, he and I were traveling on a camping trip and I had the Bee Gees live masterpiece, One Night Only, playing in the car. After listening quietly to a few songs (with Barry on lead vocals), Trey turned to me and asked “Dad, why does he sing like that?”. I looked at him and said, “Son, because he can!”.

Listen to the original studio version here:

Listen to Barry and the Bee Gees live on Ed Sullivan 1968 here:

Almost 30 years later in Las Vegas:

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Thank you for your response. ✨

Sources for this article include:

Wikipedia: http://en.wikipedia.org/wiki/Bee_Gees

Wikipedia: http://en.wikipedia.org/wiki/Bee_Gees_discography

Wikipedia: http://en.wikipedia.org/wiki/Words_%28Bee_Gees_song%29

Songfacts: http://www.songfacts.com/detail.php?id=3371

 

 

 

 

The Eyes Of The Blind

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negative_blind_eye

It is high time to awake out of sleep: for now is our salvation nearer than when we believed  ~Romans 13:11

In the middle of the night
I go walking in my sleep
From the mountains of faith
To a river so deep
I must be looking for something
Something sacred I lost
But the river is wide
And it’s too hard to cross

What are you searching for? Someone to love? A soul mate? A new career? A new place to live?

Or is your search much deeper than that? I know it is for me. It has taken me a long. long time to near the end of my search, but I’ve begun to at least see it now. Funny thing is that it has been right in front of me all along. My search is for meaning.

And even though I know the river is wide
I walk down every evening and I stand on the shore
And try to cross to the opposite side
So I can finally find out what I’ve been looking for

For us “baby boomers” maybe it’s just in the way we are wired. So self absorbed, so critically oblivious and materially motivated. I can remember clearly, when I was in my early 30’s, my mother saying to me when I was home for a visit, “Son, you know we’re proud for you and all you have accomplished, but you really need to stop and smell the roses.”

I heard her, but I didn’t really hear her. It’s taken me a long time to take her advice. And when I look, I can see the same thing all around me, in almost everyone I know.

And I’ve been searching for something
Taken out of my soul
Something I would never lose
Something somebody stole

And what was stolen can never be replaced. It can’t be repurchased. It can’t be replenished. And even if he wanted to, the thief who robbed me can’t give it back. That which was stolen is time. And like Jim Croce once sang, we can’t bottle it.

I don’t know why I go walking at night
But now I’m tired and I don’t want to walk anymore
I hope it doesn’t take the rest of my life
Until I find what it is that I’ve been looking for

One of my favorite quotes is from Sister Mary Corita Kent: “Life is a succession of moments; to live each one is to succeed.”

Yes, the things we search for are right here in front of us, in each and every one of those moments.

I believe the greatest meaning and fulfillment we can find in life, is found within the human relationships we have and living fully in those moments we share with others.

In the middle of the night
I go walking in my sleep
Through the jungle of doubt
To a river so deep
I know I’m searching for something
Something so undefined
That it can only be seen
By the eyes of the blind
In the middle of the night

It’s ironic that Billy Joel, son of a Holocaust survivor and an avowed atheist would write a song so deeply infused with Biblical references. He said as much himself: he got the idea for the song in one of his dreams – in the dream he was sleepwalking – and when he awoke he said to himself “Hey, who am I to try to pull off a gospel song?”. But he just couldn’t shake the feeling and found himself singing it over and over in the shower that morning.

I do think his lyric about something that could “only be seen by the eyes of the blind” is a bit of a atheistic stab at religious belief, but I would challenge him to say that he had no religious inspiration in the song. And might that mean that he was being a little spiritually guided, as well?

I’m not sure about a life after this
God knows I’ve never been a spiritual man
Baptized by the fire, I wade into the river
That runs to the promised land

I guess we all have our doubts and struggles with our faith and beliefs, no matter what they are, and I’m sure it’s the same for Billy. “The River Of Dreams” was the title song and first hit single off his last recorded studio album to date, 1993’s River Of Dreams. The album leaned strongly towards themes around love, trust, betrayal  and loss. Sure sounds like a man searching for meaning to me.

In the middle of the night
I go walking in my sleep
Through the desert of truth
To the river so deep
We all end in the ocean
We all start in the streams
We’re all carried along
By the river of dreams
In the middle of the night

A few interesting notes about Billy and the album include:

  • The album cover art was painted by his then wife, Christie Brinkley
  • Each of the subsequent singles from the album featured cover art that was a small section of the album cover painting.
  • Rolling Stone magazine gave it a “Top Pick” in their Best Album Cover of the Year awards in 1993
  • Joel said “river of dreams” was a play on the phrase “stream of consciousness”
  • Billy often toured with fellow pianist, Elton John, another strongly non-religious musical artist

While I may not agree with Billy’s lack of religious belief,  I do have to admire the God given talent behind it. “The River of Dreams” may have been one of his finest recordings in a career that includes over 150 million records sold worldwide, making him the #3 solo recoding artist all-time in the Unites States.

So, let’s roll up our pants legs and wander down to the river where we can hear a non-sermon from “an innocent man”. And while we’re at it, we can say a prayer for Billy, too.

Listen to the original studio version and video here:

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Thank you for your response. ✨

Sources for this post include:

Wikipedia: http://en.wikipedia.org/wiki/Billy_Joel

Wikipedia: http://en.wikipedia.org/wiki/The_River_of_Dreams

Songfacts.com: http://www.songfacts.com/detail.php?id=4600

My Secrets To Reveal

/ larryallenmusic / Leave a comment

magnet

Better is open rebuke than love that is concealed. -Proverbs 27:5

Now I told you so you ought to know
It takes some time for a feelin’ to grow
You’re so close now I can’t let you go
And I can’t let go

With you I’m not shy to show the way I feel
With you I might try my secrets to reveal
For you are a magnet and I am steel
For you are a magnet and I am steel

Isn’t there something in the Bible about not “coveting” your neighbor’s things? I’m sure I recall hearing and reading that somewhere. But who hasn’t done this? I have to believe this is one of the most common sins we all have. As hard as we might try not to, somewhere along the way, this little bugaboo bites you.

I can’t hope that I’ll hold you for long
You’re a woman who’s lost to your song
But the love that I feel is so strong
And it can’t be wrong

Now, this sin can come in the form of material envy -say your neighbor’s classic 1968 ‘Vette – or wealth envy – how did he or she get that job? – and just occasionally in the form of thy neighbor’s significant other.

And sometimes this bite is so hard and the pull is so strong, that you just have to give in. As the late, great Luther Ingram once sang “If loving you is wrong, I don’t wanna be right.”. You know in your heart it’s not right, but it’s just too good to resist.

With you I’m not shy to show the way I feel
With you I might try my secrets to reveal
For you are a magnet and I am steel
For you are a magnet and I am steel

Yes, the attraction is just like that; a magnetic pull so strong you just feel locked in. You throw all caution and rational thought to the wind and just go for it.

“Magnet And Steel”, the hit single off of Walter Egan’s second album, Not Shy, is a tale of exactly this type situation. In this case, the coveted object was one Stevie Nicks, the ex-wife of Fleetwood Mac’s Lindsey Buckingham. Now we may have to give Walter a bit of a pass on this, as I believe that Stevie and Lindsey were not exactly “together” at the time. But given the close relationship between Egan and Buckingham, it seems a bit too close for comfort, if you ask me.

egan4

Walter met Lindsey at a party in 1976, and as a big admirer of his work on 1975’s smash hit Fleetwood Mac, he asked Lindsey to help with his debut album, Fundamental Roll. Lindsey agreed to work with it a bit and brought in Stevie to provide some background vocals. Walter wound up naming Buckingham and Nicks as album co-producers, along with himself and Duane Scott.

After that, it was a natural progression for Lindsey, Stevie and Rumours producer, Richard Dashut to jump in full force on Not Shy. The rest, as they say, was history. The album’s hit single “Magnet And Steel” went on to sell over a million copies and reached #8 on the Billboard charts.

Walter tells the story “behind the story” on Songfacts.com:

“On the night when Stevie did the background vocals for my song ‘Tunnel o’ Love,’ (on the Fundamental Roll lp) my nascent amorous feelings toward her came into a sharper focus – I was smitten by the kitten, as they say. It was on my drive home at 3 AM from Van Nuys to Pomona that I happened to be behind a metal flake blue Lincoln Continental with ground effects and a diamond window in back. I was inspired by the car’s license plate: “Not Shy.”

By the time I pulled into my driveway I had formulated the lyrics and come up with the magnet metaphor. From there the song was finished in 15 minutes. It was especially satisfying to have Stevie sing on ‘Magnet,’ since it was about her (and me).”

Most folks regard Walter as another “one hit wonder”, but he actually went on to release a total of 9 albums, with the latest being 2011’s Raw Elegant.

A few more interesting notes about Walter:

  • He never had another Top 40 hit himself, but a cover version of his song “Hot Summer Night” went to #18 for the band Night, who also had a female lead singer named Stevie (Stevie Vann aka Stevie Lange).
  • In 1985 he was a four time champion on the TV game show Catch Phrase.
  • He got credit as a co-writer on Eminem’s hit “We Made You” because producer Dr. Dre felt the song’s bass line was influenced by “Hot Summer Night”.
  • Walter got his start in music with a group called the Malibooz, imitating the Pac coast surf music sound of the Beach Boys and the Ventures, although the group was entirely from NYC and had never even visited the West Coast.

So, quit admiring your neighbor’s new car and focus on the blessings you have in your own hand. And please repress those longings for beautiful “things” others may possess. Then again, just looking never hurt anyone…did it?

Listen to the great original studio version here:

Night’s hit version of “Hot Summer Night” here:

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Thank you for your response. ✨

Sources for this post include:

Wikipedia: http://en.wikipedia.org/wiki/Walter_Egan

Songfacts.com: http://www.songfacts.com/detail.php?id=10286

Walter’s website: http://www.walteregan.com/

 

First Wound Of Pride

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candle_heart_texture

The wisdom of the prudent is to discern his way, but the folly of fools is deceiving. -Proverbs 14:8

Dying flame, you’re free again
Who could love, do that to you
All dressed in black, he won’t be coming back

It’s over, right? Yep. He’s/she’s gone right? Yep, gone, long gone, gone like yesterday, and gone like a freight train, as Montgomery Gentry once sang.

But it’s not over.

And the truth is, it never really will be. Oh sure, you move on and accept the new reality, but it’s always still there, burned in like the exposed images on the negatives from an old-time camera’s film.

Look, save your tears
Got years and years
The pains of seventeen’s
Unreal they’re only dreams
Save your cryin’ for the day

I turned 21 in April of 1978, and Chris Rea’s debut album, Whatever Happened To Benny Santini and the hit single “Fool (If You Think It’s Over)” was all over the airwaves. Years of teen angst were still fresh in my mind and I was in the nether world between a high school romance lost and a long distance relationship via college separation gone awry. The song absolutely cut me to the quick. But it was so irresistibly catchy, I couldn’t wait to hear it again.

Fool if you think it’s over
‘Cause you said goodbye
Fool if you think it’s over
I’ll tell you why
New born eyes always cry with pain
At the first look at the morning sun
Fool if you think it’s over
It’s just begun

“The folly of fools” as the Bible said, was certainly all over me in trying to deceive myself. The real fool is one who thinks that just because you say it’s over, it really is. And yes, you must open your eyes and face the harsh light of reality, as painful as that may be.

Miss Teenage Dream, such a tragic scene
He knocked your crown and ran away
First wound of pride, and how you cried and cried
But save your tears, got years and years

I guess I’ll never really be able to understand the female side of this equation; I can only imagine what that must be like. I’ve always believed that women were much stronger emotionally than men, for all of our posturing and denial of feelings. I know that the key for men is to feel respected above all, and when not loved, we can justify that as less a loss of respect and more as a loss of value. OK, so she left me for something of higher value. No loss of respect there, right? It’s like she’s getting a new job or trading up for a new car. But a wound of pride? Definitely.

I’ll buy you first good wine
We’ll have a real good time
Save your cryin’ for the day
That may not come
But anyone who had to pay
Would laugh at you and say

Speaking of wounded pride, Chris would probably be chagrined to know that most folks here in the U.S. would probably call him a “one hit wonder”. While it’s true that his biggest hit came from his first album release here – instead of in his native U.K. – he later returned to Europe and recorded over 30 additional LP’s with several singles reaching the charts in France, Germany, Switzerland and Austria, as well as in the U.K..

In fact, his U.S. record label became so disenchanted with his efforts that they didn’t bother to choose a name for his fourth album (Chris Rea), and they just dumped out a bunch of his raw demo tapes as his fifth. Ironically, the fifth album ,Water Sign, became a surprise hit in Ireland and Europe, spawning a Top 20 single, “I Can Hear Your Heartbeat”.

Chris’ career in Europe took off like a rocket after that, with his breakthrough #1 charting LP The Road To Hell coming in 1989.

Fool if you think it’s over
‘Cause you said goodbye
Fool if you think it’s over
I’ll tell you why

No one here in the U.S. these days ever really wonders much about Whatever Happened to Benny Santini and Chris Rea, but here’s a few interesting tidbits to chew on:

  • The album’s title came about because Chris’ record label originally wanted him to change his stage name to – you guessed it – Benjamin Santini.
  • The album was produced by Elton John’s producer, Gus Dudgeon. Chris always wanted to try to sound more like Elton and/or Billy Joel.
  • Ironically, “Fool (If You Think It’s Over)” was nominated for a Grammy (Song of The Year) but got beat out by Billy Joel’s “Just The Way You Are”.
  • And to prove it really wasn’t over, British pop singer, Elkie Brooks, scored a 17 on the U.K. charts with her cover version in 1982.

So light a candle, pour yourself a glass of good wine and admit to yourself that a great song, like a great romance, will never really be completely over.

Listen to the original studio version here:

Elkie Brooks cover version on Top Of The Pops here:

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Thank you for your response. ✨

Sources for this post include:

Wikipedia: http://en.wikipedia.org/wiki/Chris_Rea

Songfacts.com: http://www.songfacts.com/detail.php?id=19641

 

Beyond The Sky

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The_Burning_Sky

We shall not all sleep, but we shall all be changed. – 1 Corinthians 15:31

I was born by the river in a little tent
Oh, and just like the river I’ve been running ever since

It’s been a long, a long time coming
But I know a change gon’ come, oh yes it will

You can run, but you cannot hide. Sooner or later, we all get to a point in life where we begin to question what it’s all about. For some, perhaps due to unusual life circumstances or events, this question raises itself early in life. For others like myself, it comes later.

All the things you were once so sure of; you no longer are. All those things that once seemed so important; they no longer are. You begin to feel this vacuum, this emptiness, a chasm that seems so deep and wide. You don’t know what to grab onto. All the confidence of youth is lost.

It’s been too hard living, but I’m afraid to die
Cause I don’t know what’s up there beyond the sky

And you get to the point where you say “this is hard, it’s just too hard”. Why can’t it be easy, like it was back in your younger days? So carefree, so open, so optimistic…and so, so, very naive. And what is the alternative?

Then I go to my brother
And I say, “Brother, help me please.”
But he winds up knockin’ me
Back down on my knees

And those friends you thought you had? Like family? I was told by my father when I was young that if, at the end of my life, I had more true friends than I could count on one hand, I would be an extremely fortunate man. I still hope I can prove him wrong, but I’m no longer sure.

There been times when I thought I couldn’t last for long
But now I think I’m able to carry on

But the very good news is this; a change is indeed gonna come. I no longer care as much about who is  going to be a friend to me, but rather to whom can I become a friend. And that all starts with a relationship that we all have right in our hands, all along.

It’s been a long, a long time coming
But I know a change gon’ come, oh yes it will

Mike Farris’ story is one of coming to what I call “that shining moment of clarity” earlier, rather than later in life. If there ever was an artist’s story that was perfectly crafted to fit into what this blog is all about, it’s Mike’s.

Mike’s troubled childhood led to early problems with drugs and alcohol, resulting in his almost dying from an overdose before he was 21 years old. I first picked up on his music in 1994 via the Screamin’ Cheetah Wheelies with their self-titled release that included the smoking hot single “Shakin’ The Blues”. If you are a fan of the 70’s “southern boogie” style of music made popular by groups like Lynyrd Skynyrd,  The Allman Brothers, The Marshall Tucker Band, Elvin Bishop, etc., you should definitely check it out.

Jon Stewart famously said of Bruce Springsteen at his Kennedy Centers Honors tribute: “I believe that Bob Dylan and James Brown had a baby. They abandoned this child on the side of the road between the exit interchanges of 8A and 9 on the New Jersey Turnpike. That child is Bruce Springsteen.”

I’d like to make a similar speculation. I’m not sure where Mike was born and who his real parents are, but if Al Green and Eric Clapton somehow had a child and abandoned him in La Grange, Texas to be fostered by Stevie Ray Vaughan, well he would probably sound a lot like Mike Farris.

The SCW’s enjoyed a fair level of success with seven album releases between 1994 and 2004 and  five Top 30 charting singles. But it wasn’t until 2005 that Mike really had a personal breakthrough, becoming clean and sober for the first time since he was 15 years old. From this newfound state of clarity came his 2007 release, Salvation In Lights, which featured the Sam Cooke classic “Change Is Gonna Come”.

At this point, Mike’s career and accolades really began to take off. His achievements included an Americana Music Award for New/Emerging Artist in 2008 and a Dove Award in 2010. And his live performances at Bonnaroo and SxSW – among others – were all getting rave reviews.

But like the song said, just as it seemed he was beginning to stand solidly on terra firma, something knocked him back down again. This time it was an addiction to painkillers resulting from ruptured discs, back surgery and the death of his manager, Rose McGarthy, along with other personal issues. This time around Mike sought help in rehab.

Proving you can’t keep a good man down, Mike has re-emerged in 2014 with the release of what I think is his greatest work ever on Shine For All The People. The album includes a wide range of sounds and emotions with cuts like Blind Willie McTell’s “River Jordan”, J.B. Lenoir’s “Jonah And The Whale”, the heartfelt “Mercy Now” written by Mary Gauthier and my personal favorite “Power Of Love”. If listening to SFATP doesn’t make you want to take a front row seat for a blistering hot Wednesday night Pentecostal tent revival…well, nothing ever will.

As Mike said in a recent mini documentary for the album, “I sing because I have to sing.” and “(Gospel) it belongs to the people who had to go up the rough side of the mountain”. And as Rodney Crowell said: “It  (the music spirit or muse) must have some kind of intelligence behind it, because it chooses a vessel that’s the perfect delivery system for inspiration.” But Ashley Cleveland probably sums it up best, saying: “I would say he’s a gospel singer for the people…and I mean ALL the people.”

So, you can close your eyes and picture Sam Cooke’s original while listening here to Mike. And while you’re at it, take time to reflect and consider all the changes that are surely gonna come.

Oh and as an added bonus, be sure to check out the two cuts from Shine, as well.

Listen to Mike’s version of “Change Is Gonna Come” here:

From his new release: Shine For All The People:

And one more:

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Thank you for your response. ✨

Sources:

Wikipedia (http://en.wikipedia.org/wiki/Mike_Farris_%28musician%29) and           (http://en.wikipedia.org/wiki/Screamin%27_Cheetah_Wheelies)

Compass Records (http://compassrecords.com/mike-farris)

Mike Farris website (www.mikefarrismusic.com)

 

The Empty Sidewalks

/ larryallenmusic / 2 Comments

sidewalk_leaf

Can two walk together, except they be agreed? – Amos 3:3

And when I see the sign that points one way
The lot we used to pass by every day

Just walk away Renee
You won’t see me follow you back home
The empty sidewalks on my block are not the same
You’re not to blame

Walking away.

It’s not always easy, is it? For even if you do, that’s not the end. These relationships leave an indelible stamp on our hearts, in our minds and deep in our souls. They cannot be erased any more than an old chalkboard’s marks. Maybe not visible to the eye, but still the fine dust and subtle imprint will remain.

And the sidewalks will surely never be the same, because (as Dionne sang) “there’s always something there to remind me”. Those too, just won’t seem to go away. You can avoid those places and things but they’re always still around, lurking in the shadows of your mind, just waiting to reemerge.

From deep inside the tears that I’m forced to cry
From deep inside the pain that I chose to hide

Just walk away Renee
You won’t see me follow you back home
Now as the rain beats down upon my weary eyes
For me it cries

The Bible clearly tells us that there are times to walk away from troubled relationships. When it’s clearly not good for us. When it’s creating wrongs for others. When they are just plain unhealthy.

Sometimes a tree has to be trimmed to ensure it’s long term health and beauty. And so it is with our lives, our pasts and sometimes, those people who are just no good for us.

But it’s hard. As Christians, we sometimes allow ourselves to be trapped in toxic relationships by our false belief that it would be sinful on our part to cut it off, and that God calls on us to remain with love, patience and tolerance.

But that’s not really true.

Your name and mine inside a heart upon a wall
Still finds a way to haunt me, though they’re so small

Just walk away Renee
You won’t see me follow you back home
The empty sidewalks on my block are not the same
You’re not to blame

“Walk Away Renee”, originally recorded by The Left Banke in 1966, was written by keyboard player Michael Brown – he was 16 at the time – after he met the song’s namesake, Renee Fladen, who just so happened to be the girlfriend of the band’s bassist, Tom Finn.

Legend has it that when Michael went into the studio to record the harpsicord part for the song, Renee was there. Her presence made him so nervous and his hands shook so badly that he couldn’t manage the piece. He left without finishing and came back later that night, after she had gone, to record it.

Obviously, young Michael was quite smitten with Renee, as he wrote another song about her – “Pretty Ballerina” – a year later. “Walk Away Renee” was clearly an admission to himself that Renee belonged to another and would never return his advances, so he was better off forgetting about her.

“Walk Away Renee” went on to reach #5 on the Billboard Top 100 and was covered by artists as diverse as The Four Tops (it went to #3 on the British charts), Southside Johnny & The Asbury Jukes, Linda Ronstadt w/Ann Savoy, Rickie Lee Jones, The Cowsills, Vonda Shepard and many more.

Each of the cover versions have their own unique qualities, but the ageless beauty and universal meaning in the song remains clear and shining bright, no matter who does it.

So, go ahead, let yourself off the hook, and know that it’s OK sometimes to let go.

Then again, we never really do, do we?

Listen to the original here:

Great live version by Southside Johnny and the Jukes here:

The hauntingly beautiful Rickie Lee Jones version here:

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A Red Coal Carpet

/ larryallenmusic / Leave a comment

house-burning

I would hasten to my place of refuge from the stormy wind and tempest. -Psalms 55:8

 

Ooo, a storm is threat’ning
My very life today
If I don’t get some shelter
Oh yeah, I’m gonna fade away

Storms; life is full of them. And the Bible teaches us that we will face troubles in this life.  Some are major hurricanes, others minor squalls. It is some comfort to have the reassurance that Jesus overcame this world and so shall we. But that doesn’t make the troubles any easier to deal with in the present.

Ooh, see the fire is sweepin’
Our very street today
Burns like a red coal carpet
Mad bull lost its way

And so it was in the summer of 1969. On August 17th, the heat of the Gulf Coast night was broken by the howling 175 mph winds of Hurricane Camille. My Uncle Richard was living in Metarie, Louisiana at the time, near the shores of Lake Ponchartrain. Fortunately he, my Aunt and cousins were able to evacuate before it hit.

When it was all over, there were 259 people dead and over 1.4 billion dollars worth of damage. Camille was the second of only three Category 5 hurricanes to strike the U.S. in the 20th century, along with Labor Day Hurricane in 1935 and Hurricane Andrew in Miami in 1992.

War, children, it’s just a shot away
It’s just a shot away
War, children, it’s just a shot away
It’s just a shot away

And, yes the war in Vietnam raged on with still over 500,000 U.S. troops on the ground and more than 11,000 of those killed in battles that year. Even as Ho Chi Minh passed away in September, the war was still very much in question.

The flood is threat’ning
My very life today
Gimme, gimme shelter
Or I’m gonna fade away

So it was, and the mud and the blood and the flood all indeed seemed to be overflowing like a “red coal carpet” and a “mad bull lost it’s way”.

And just a couple of weeks before Camille struck, we were all shocked to the core by the horrific Sharon Tate murders, committed by the truly evil Charles Manson and his desert based “family”.

Dark days indeed.

And they were for the Rolling Stones, as well. In that same fall of 1969, the Stones were struggling with the year long prospect of pulling their latest album, Let It Bleed, together without the help of the band’s founder, Brian Jones. Brian had been dismissed from the band back in June due to increasing personal issues and drug problems, and was found dead a month later in the bottom of his swimming pool.

Let It Bleed was a somber tome, perfectly matching the events swirling at the time and “Gimme Shelter” was no exception. In the book Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones , author Stephen Davis wrote: “No rock record, before or since, has ever so completely captured the sense of palpable dread that hung over its era.”

Mick and the boys had surely captured a sign of the times.

I tell you love, sister, it’s just a kiss away
It’s just a kiss away
It’s just a kiss away

In an interview just a year ago on NPR’s All Things Considered, Mick Jagger talked freely about the dark lyrics and the making of the song. “It was a very moody piece about the world closing in on you a bit…When it was recorded, early ’69 or something, it was a time of war and tension, so that’s reflected in this tune. It’s still wheeled out when big storms happen…”.

But some of the most intriguing factors in the recording were created by the incredible background vocals provided by gospel and soul singer, Merry Clayton. Like many great singers, Merry grew up singing in the church. Her father was a Baptist preacher in New Orleans, so I’m sure you can imagine what some of those church services sounded like!

She later pursued singing as a career, performing backing vocals for Bobby Darin, Elvis Presley and The Supremes among many others, but is probably best known for her work as a member of The Raelettes, Ray Charles’ backup singers.

As the story goes, Merry got a call in the late evening (she was already in bed for the night) from a producer she knew – Jack Nitzsche – begging her to come down to the studio to lay down some backing vocals for this project he was working on. At the time, she didn’t even know who the Rolling Stones were.

Merry was reluctant; she was pregnant at the time and her husband even got a little miffed at Nitzsche for calling so late. But once he understood who it was -the Stones – and what was going on, he said  “Honey, you know, you really should go and do this date.”

The rest is history.

She got out of bed and went down to the studio – curlers still in her hair – and met with Keith Richards, who ran through what they wanted her to do. She was bit put off by the dark lyrics at first, but once she understood the gist of the song and it’s meaning, she was ready to go. She did three takes and said “It’s late, I gotta go back to bed.”

Those three takes were some of he most powerful backing vocals ever recorded. She put so much into it that her strained voice began to crack right in the middle of the “Rape, Murder” part.  And, if you listen very closely on a good recording of the song, you can actually hear Mick, Keith and Jack hooting and hollering in the control booth in sheer amazement at the emotional delivery she poured into the track.

It was one of the greatest performances of her career.

Ironically, it also turned into tragedy, as she lost her baby to miscarriage shortly after leaving the studio. It has been widely assumed that the strain of the performance caused it. Years later, Merry still found the song hard to hear, and nearly impossible to sing, due to the dark memories of the night.

“Gimme Shelter” went on to be named the 38th ranked song on Rolling Stone magazine’s “The 500 Greatest Songs of All Time” list in 2004 and was also the name of the documentary film detailing the final weeks of the Stone’s 1969 U.S. tour culminating at the disastrous  free concert at the Altamont Speedway in California.

Martin Scorcese must have also been a big fan, as he has used the song in three of his films: Goodfellas, Casino and The Departed. Interestingly enough, he chose not include it in his 2008 documentary film about the Stones, Shine A Light.

So, crank it up loud and let it roll, as only Mick and the boys can do. And though things may seem grim; remember that love truly is, as Merry sang “just a kiss away”. And be sure to listen for Merry’s voice breaking. Wow!

Unbelievable footage w/Merry Clayton track exposed

Awesome Playing For Change cover here:

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